Author E.B. White once said, "Humor can be dissected as
a frog can, but the thing dies in the process and the innards are discouraging
to any but the pure scientific mind."
Good humour always interests me. Many movies and stories
have jokes that are often very descriptive, but very few of them have good
humour. I was speaking to an amateur playwright friend from my French class other day and I mentioned about my desire to act in a play
someday, as an old man. I always find them extremely humourous; especially in
the plays. There is a look of “that’s obvious” or “that’s irrelevant.” Or “I
knew that.” on their face that turns any serious and complex situation into nothing
but a repeating history.
We were discussing creative drama and modern art one day in
class; of its intent being not clear to the audience and that the improvisational
style driving the story towards multiple interpretations left to the viewer to
conclude, serves no purpose. Then, a friend of mine narrated a true story of a
playwright. The author wrote several and most famous plays that were
conventional in all sense. One day he dies leaving an unpublished play; the
play, very different from his previous ones and driving several perspectives. His admirers perform the play.
Two shows later when the reviews were out, the critics bragged about their interpretations
only to find out later, from the makers that it was a satire on creative drama.
Recently I watched a play called “The Pillowman”, a Tony
award winning black comedy. The drama narrates the troubled childhood of a writer, his stories
and coincidental events of its execution, that puts him under the police radar. The play kept us
engaged till the end with it’s humourous narration of subjects that can otherwise be very gory. The story neatly knits several stories by the
writer and thus making it not one but a communion of several small
stories but with one soul, that of the writer. One of the several good dialogues that I recollect is when a detective narrates to the writer, the story that he has written and gives it a long title, something like - "A little Chinese boy walking on a railway track....." and asks for the writers opinion on the title. "This is the worst title i have ever heard. It needs two commas and a full stop." the writer replies.
I have always wondered how and from where a good humour originates. I knew it
had to be situational yet spontaneous; just like it has to be understood by the
listener. And one day it came to me; again during my french class when our
teacher asked us to complete a few sentences; I got humourous specially on this one - Si tu ne sais
pas nager….and I completed it thus – pas de problem, prends ce pont! (If you do
not know how to swim….don’t worry take the bridge) :-)
